Alien Artifacts, Knowledge and technology

- Texts
- Bagdad Battery
- Monoliths
- Lay lines
- Dogon Tribe
- Mayan Calendar
- Eastern Mythology
- Israeli Scrolls
- High tech devices
- Pineal Gland
- Egyptian Technology
grids
Tetrahedronal grid showing important locations

Introduction

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Zacharaiah Sitchen
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Sumerian tablets

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The Sumerian flood story Babylonia 18th C BC
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Cuniaform signs
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Cuniaform tablets
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Sumerian kings on ancient art
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Sumerian tablet
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Hammurabi Law Code Babylonia 1750 BC
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Chinese stone tablet found in Mexico
Zecharia Sitchin

Zecharia Sitchin (born 1922) is an author of books promoting an explanation for human origins involving ancient astronauts, amidst other aspects of pseudoscience.

Sitchin attributes the creation of the ancient Sumerian culture to the "Anunnaki", a race of aliens from a planet he calls Nibiru, which he believes to be in an elongated, elliptical orbit in the Earth's own Solar System and asserts that Sumerian mythology reflects this view.

His speculations are entirely discounted by professional scientists, historians, and archaeologists, who note many problems with his translations of ancient texts and with his understanding of physics.

Life

Sitchin was born in Baku, Azerbaijan, and was raised in Palestine. He acquired some knowledge of modern and ancient Hebrew, other Semitic and European languages, the Torah, and the history and archeology of the Near East. Sitchin graduated from the London School of Economics, University of London, majoring in economic history. A journalist and editor in Israel for many years, he now lives and writes in New York City. His books have been widely translated, converted to braille for the blind, and featured on radio and television.

Ideas

According to Sitchin's interpretation of Sumerian cosmology, there is an undiscovered planet which follows a long, elliptical orbit, reaching the inner solar system roughly every 3,600 years. This planet is called Nibiru (the planet associated with the god Marduk in Babylonian cosmology). According to Sitchin, Nibiru collided catastrophically with Tiamat, another supposed planet located by Sitchin between Mars and Jupiter. This collision supposedly formed the planet Earth, the asteroid belt, and the comets. Tiamat, as outlined in the Enûma Elish, is a goddess. According to Sitchin, however, Tiamat was what is now known as Earth. When struck by one of planet Nibiru's moons, Tiamat split in two. On a second pass Nibiru itself struck the broken fragments and one half of Tiamat became the asteroid belt. The second half, struck again by one of Nibiru's moons, was pushed into a new orbit and became today's planet Earth.

According to Sitchin, Nibiru was the home of a technologically advanced human-like extraterrestrial race called the Anunnaki in Sumerian myth, who Sitchin states are called the Nephilim in Genesis. He claims they first arrived on Earth probably 450,000 years ago, looking for minerals, especially gold, which they found and mined in Africa. These "gods" were the rank and file workers of the colonial expedition to Earth from planet Nibiru. Sitchin believes the Anunnaki genetically engineered Homo sapiens as slave creatures to work their gold mines by crossing extraterrestrial genes with those of Homo erectus. Sitchin claims ancient inscriptions report that human civilization in Sumer of Mesopotamia was set up under the guidance of these "gods", and human kingship was inaugurated to provide intermediaries between mankind and the Anunnaki. Sitchin believes that fallout from nuclear weapons, used during a war between factions of the extraterrestrials, is the "evil wind" that destroyed Ur around 2000 BC. Sitchin claims the exact year is 2024 BC. This event is described in the Lament for Ur. Sitchin claims that his research coincides with many biblical texts, and that biblical texts come originally from Sumerian writings.

Criticisms

When Sitchin wrote his books, only specialists could read the Sumerian language, but now anyone can check his translations by utilizing the 2006 book Sumerian Lexicon. Sitchin's translations of both individual words and of larger portions of ancient texts are generally found to be incorrect.

Sitchin's "planetary collision" view does superficially resemble a theory which is seriously entertained by modern astronomers — the giant impact theory of the Moon's formation about 4.5 billion years ago by a body impacting with the newly-formed Earth. However, Sitchin's proposed series of rogue planetary collisions differ in both details and timing. As with Immanuel Velikovsky's earlier Worlds in Collision thesis, Sitchin claims to have found evidence of ancient human knowledge of rogue celestial motions in a variety of mythological accounts. In Velikovsky's case, these interplanetary collisions were supposed to have taken place within the span of human existence, whereas for Sitchin these occurred during the early stages of planetary formation, but entered the mythological account passed down via the alien race which purportedly evolved on Nibiru after these encounters.

Sitchin's scenario for the creation of the Solar System is hard to reconcile with the Earth's current small orbital eccentricity of only 0.0167. Sitchin's supporters maintain that it would explain Earth's peculiar early geography due to cleaving from the celestial collision, i.e., solid continents on one side and a giant ocean on the other.

The scenario outlined by Sitchin, with Nibiru returning to the inner solar system regularly every 3,600 years, implies an orbit with a semi-major axis of 235 Astronomical Units, extending from the asteroid belt to twelve times farther beyond the sun than Pluto. "Elementary perturbation theory indicates that, under the most favorable circumstances of avoiding close encounters with other planets, no body with such an eccentric orbit would keep the same period for two consecutive passages. Within twelve orbits the object would be either ejected or converted to a short period object. Thus, the failed search for a trans-Plutonian planet by T.C. Van Flandern, then with the U.S. Naval Observatory, which Sitchin uses to bolster his thesis, is no support at all."

Sitchin claims that "from an equal start, the Nefilim evolved on Nibiru 45 million years ahead of comparable development on Earth with its decidedly more favorable environment." Such an outcome is unlikely, to say the least, since Nibiru would spend over 99% of its time beyond Pluto. Sitchin's explanation that heat from radioactive decay and a thick atmosphere keep Nibiru warm is absurd and does not address the problem of darkness in deep space. Also unexplained is how the Nefilim, who evolved long after Nibiru arrived, knew what happened when Nibiru first entered the solar system.

Sitchin bases his arguments on his personal interpretations of Pre-Nubian and Sumerian texts, and the seal VA 243. Sitchin claims these ancient civilizations knew of a 12th planet, when in fact they only knew five. Hundreds of Sumerian astronomical seals and calendars have been decoded and recorded, and the total count of planets on each seal has been five. Seal VA 243 has 12 dots that Sitchin identifies as planets. When translated, seal VA 243 reads "You're his Servant" which is now thought to be a message from a nobleman to a servant. According to semitologist Michael S. Heiser, the so-called sun on Seal VA 243 is not the Sumerian symbol for the sun but is a star, and the dots are also stars. The symbol on seal VA 243 has no resemblance to the hundreds of documented Sumerian sun symbols.

Peter James has criticised him both for ignoring the world outside of Mesopotamia and more specifically for misunderstanding Babylonian literature:

He uses the Epic of Creation Enuma Elish as the foundation for his cosmogony, identifying the young god Marduk, who overthrows the older regime of gods and creates the Earth, as the unknown "Twelfth Planet". In order to do as he interprets the Babylonian theogony as a factual account of the birth of the other "eleven" planets. The Babylonian names for the planets are established beyond a shadow of a doubt--Ishtar was the deity of Venus, Nergal of Mars, and Marduk of Jupiter -- and confirmed by hundreds of astronomical/astrological tables and treatises on clay tablets and papyri from the Hellenistic period. Sitchin merrily ignores all this and assigns unwarranted planetary identities to the gods mentioned in the theogony. For example, Apsu, attested as god of the primeval waters becomes, of all things, the Sun! Ea, as it suits Sitchin, is sometimes planet Neptune and sometimes a spaceman. And the identity of Ishtar as the planet Venus, a central feature of Mesopotamian religion, is nowhere mentioned in the book--instead Sitchin arbitrarily assigns to Venus another deity from Enuma Elish, and reserves Ishtar for a role as a female astronaut.

Similar ideas have been advanced by authors such as Immanuel Velikovsky, Erich von Däniken, Alan F. Alford and Laurence Gardner. Alford later recanted his views and became a critic of Sitchin's interpretation of myth.

Sitchin in “the case of Adam’s alien genes” claims that 223 unique genes found by the Human Genome Sequencing Consortium are without the required predecessors on the genomic evolutionary tree. Later researchers have argued that the conclusion from the Human Genome Sequencing Consortium can not be drawn due to a lack of a comprehensive gene database for comparison. An analysis by Salzberg identified 40 potential genes laterally transferred into the genome from prokaryotic organisms. Salzberg also argues that gene loss combined with sample size effects and evolutionary rate variation provide an alternative, more biologically plausible explanation.

William Irwin Thompson comments on what he calls Sitchin's 'literalism':

What Sitchin sees is what he needs for his theory. So figure 15 on page 42 is radiation therapy, and figure 71 on page 136 is a god inside a rocket-shaped chamber. If these are gods, why are they stuck with our cheap B movie technology of rockets, microphones, space-suits, and radiation therapy? If they are gods, then why can't they have some really divine technology such as intradimensional worm-hole travel, antigravity, starlight propulsion, or black hole bounce rematerializations? Sitchin has constructed what appears to be a convincing argument, but when he gets close to single images on ancient tablets, he falls back into the literalism of "Here is an image of the gods in rockets." Suddenly, ancient Sumer is made to look like the movie set for Destination Moon. Erich Von Däniken's potboiler Chariots of the Gods has the same problem. The plain of Nazca in Peru is turned into a World War II landing strip. The gods can cross galactic distances, but by the time they get to Peru, their spaceships are imagined as World War II prop jobs that need an enormous landing strip. This literalization of the imagination doesn't make any sense, but every time it doesn't, you hear Sitchin say "There can be no doubt, but..."

Influence

Raëlism, the UFO religion founded by Claude Vorilhon, appropriated some of its beliefs from Sitchin's work, as does the Nuwaubian religion founded by Dwight York.[citation needed] Zetatalk, the internet cult founded by self-proclaimed contactee Nancy Leider, describes "Planet X", a large object they claim is about to hit Earth, as "Nibiru" in reference to Sitchin's claims. David Icke also draws on Sitchin's work in his conspiracy theories. The 1994 movie Stargate, directed by Roland Emmerich, drew some conceptual inspiration from Sitchin's ideas.

TNT Video Religion Notes

Horus born in Annu, place of bread = Jesus born in bethlehem, house of bread
horus the good shepard, with the crook upon his shoulders = Jesus the good shepard, with the lamb upon his shoulders
the seven on board with horus = the seven fishers on the boat with jesus
horus as the lamb = jesus as the lamb
horus as the lion = jesus as the lion
horus as the black child = jesus as the little black bambino
horus identified with tat or cross = jesus identified with the cross
horus of 12 years = jesus of 12 years
horus 30 when baptized = jesus 30 when baptized
horus krst = jesus christ
horus and jesus = the manifesting son of god
two mothers of child horus, who were sisters = two mothers of child jesus, who were sisters
set and horus and jesus and satan contending on the mount
the star, the announcer of horus=the star in the east who announced birth of jesus
horus and jesus = afflicted one
horus, type of life eternal = jesus, type of eternal life
horus and jesus who come to fulfill the law
horus and jesus who come by water, blood, and the spirit
16 others born of virgin mother named mary
in temple training elders at 12
ruler of land tried to kill all babies their age
who were asked to move and minister and began at 30 years and ended ministry at 33, and killed on cross
-16 times before jesus
Krishna 1200 bc
Hindi sakia 600 bc
thamuz 1160 bc
Wittoba 552 BC
Ioa 622 BC
Hesus 834 BC
Qeuexalcote 587 BC
Quirinus 506 BC
Prometheus 574 BC
Thulis 1700 BC
Indra 725 BC
Alcestos 600 BC
Atus 1170 BC
Crite 1200 BC
Bali 725 BC
Mithra 600 BC
Ephes 2:20 - Jesus chief corner stone from greek capstone of pyramid
Isaiah 19:19 - 'In middle of Egypt will be alter to lord'
John 10:11 - Good shepard, I lead sheep
14 - I good shepard, give life to sheep
Hebrews 13:20 Shepard of sheep
Revelation 12:5 Rule nation with rod of iron
Psalm 23 - Hebrew old testament 'the lord my shepherd, thy rod and thy staff, they comfort me'
Pharoe is good shepard-reincarnation of amen ra, had staff
every one had lamb of god
turks and lamb
greeks, romans, and horus verses set-jesus veers Satan
Jesus baptized by John
Horus baptized by John
Horus baptized by anup
- Fill the cup with male blood
'Why are we fanatical?'
Why kill in name of God?
Catholics say 'Finest sect device ever invented for purpose of making men stupid' of Jesuits
- 'I can not hide my indignation that some of the most illustrious catholic cities are tainted with moral plague and loose waste to such a point that many monasteries designed to shelter virgins have now been brothels, can there be anything more infamous'
Catholic said: 'The church is full of thieves mercenaries, and wolves'
now 300 sex abuse cases pending
'We could be sued out of existence' the Catholic said
Beheaded 9 women in Saudi Arabia for driving cars this year
They wanted to behead all men who don't wear beards
Excommunicated in Jerusalem, Jews for having TVs
Egypt- father of Jewish
Aknothon made one God
Amen Ra- son of go, and christians say amen
Horus of two horizons= Jesus of two lands
Horus and Jesus walking on water
the children of Horus= Children of Jesus
Horus and Jesus entering mount at sunset to hold conversation with his father
Horus and Jesus transfigured on mount
the seven loafs of Horus for feeding the multitudes in the fields of Annu= The seven loafs of Jesus feeding the multitudes
reclining on the grass
Twelve disciples of Horus= Twelve disciples of Jesus
The secret of mysteries shown by Tat-an= The secret of the mysteries made known by John
Anup and Anan the two witnesses for Horus= The two John witnesses for Jesus
Horus the morning star, Jesus the morning star
Horus and Jesus, who give the morning star to their followers
Buddha born of virgin and Jesus
Birth of Buddha from Holy Ghost on mount of virgin Maya and Jesus too
Mother of Jesus and Buddha's womb clear as crystal where they were born beautiful as a flower
- Birth of Buddha and Jesus announced by messianic star
- Buddha and Jesus born on christmas
- Buddha and Jesus visited by wise men hailing them
When Buddha and Jesus were infants, they told mothers they were great among men
Buddha and Jesus baptized with holy Ghost present
By prayers in their names, their followers expect to receive rewards of paradise
when Buddha and Jesus died and were buried, the lids of their coffins were opened and they ascended
Buddha and Jesus referred to as Alpha and Omega
Buddha and Jesus referred to as Apha and Omega
Buddha and Jesus to return
Krishna and Jesus born of virgins
Krishna and Jesus at birth cave illuminated
krishna and Jesus prostrated to as children
Krishna and Jesus born when fathers were gone, paying tribute to kings
Krishna and jesus born is object and humiliating state but of royal descent
Krishna's father warned in a dream to flee across river Jocubna as reigning father sought his life = and Jesus's father too
King ordered all babies born on Krishna's birthday to be murdered and same with Jesus
One of first miracles performed by Krishna and Jesus was curing of a leper
Krishna and Jesus were crucified and descended into hell
Both resurrected and ascended into heaven, seen by many
Krishna is to come again as an armed warrior riding a white horse and the sun and moon will be darkened the earth tremble and the stars
fall from the firmament
Pisces ended 5-5-00 and aquarius began symbol is water bearer
luke 22:10 - 'when you go in city a man with a pitcher of water, will follow him and he will lead you in'
Mathew (end) 28:20 - 'and surely I am with you till the end of the age'
Mathew 12:32 - 'Holy spirit no given in this age or age to come'
13:39 - 'Harvest end of age and harvesters are angels when angels will pull up weeds and burn them in fire' the end of piscean age
23:3 - 'And what will be the sign of your coming at end of the age'
Mark 10:29-30 - 'And in age to come, eternal life'
Luke 18:30 - 'Kingdom of God will fail in this age many times and i come, eternal life'
I Corinthians 3:6 - 'We speak a message of the mature, but no to the rulers of this age'
10:11 - 'these things are warnings of the fulfillment of the ages to come'
Ephesians 1:21 - 'Above in power and dominion, not just in present age, but one to come'
Hebrews 6:1 - 'Who have tasted the goodness of the word of God and the coming age'
9:26 'Christ will have suffered for all, but will come once and for all at the end of the age'
Revelation 15:3 - 'God is king of ages'
1991 years in pisces
Christianity's symbol is fish, age of pisces
As sun went south, represent death and it rested in south, for three days- 'The sun of god dies for three days and then is resurrected'
Church cross represents sun dial measuring sun dying of cross of Zodiac
Old churches have Zodiac on them
Jesus died with crown of thorns, like the halo
Sun enters constellation at 30 degrees and leaves at 33 degrees
Egyptians started their calendar at virgo and ended with the lion, hence the sphinx with the head of the woman and body of the lion

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Ancient Summer and Akkadia and Egypt

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Location of Ur

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Cuniaform tablet
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Cuniaform symbals

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Cuniaform symbals
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Cuniaform symbals

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Sumerian tablet

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Sumerian art of winged Annunaki
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Sumerian gods
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Cuniaform tablet
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Sumerian plane toysplane7_jpg
Sumerian toy planes
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Sumerian plane toy

 

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Airplane toys
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Sumerian plane toy
Inca
Incan flying saucer clay plates
 

 

 

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Sumerian alien figurines
 

 

 

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Piri Reis map
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Crystal skulls

The crystal skulls are a number of human skull hardstone carvings made from clear or milky quartz rock, known in art history as "rock crystal", claimed to be pre-Columbian Mesoamerican artifacts by their alleged finders. However, none of the specimens made available for scientific study were authenticated as pre-Columbian in origin. The results of these studies demonstrated that those examined were manufactured in the mid-19th century or later, almost certainly in Europe. Despite some claims presented in an assortment of popularizing literature, legends of crystal skulls with mystical powers do not figure in genuine Mesoamerican or other Native American mythologies and spiritual accounts.

The skulls are often claimed to exhibit paranormal phenomena by some members of the New Age movement, and have often been portrayed as such in fiction. Perhaps the most widely known of such portrayals occurs in the 2008 film Indiana Jones and the Kingdom of the Crystal Skull. Crystal skulls have been a popular subject appearing in numerous sci-fi television series, novels, and video games.

Crystal skull collections

A distinction has been made by some modern researchers between the smaller bead-sized crystal skulls, which first appear in the mid-19th century, and the larger (approximately life-sized) skulls that appear toward the end of that century. The larger crystal skulls have attracted nearly all the popular attention in recent times, and researchers believe that all of these have been manufactured as forgeries in Europe.

Trade in fake pre-Columbian artifacts developed during the late 19th century to the extent that in 1886 Smithsonian archaeologist William Henry Holmes wrote an article called "'The Trade in Spurious Mexican Antiquities"' for Science. Although museums acquired skulls earlier, it was Eugène Boban, an antiquities dealer who opened his shop in Paris in 1870, who is most associated with 19th-century museum collections of crystal skulls. Most of Boban's collection, including three crystal skulls, was sold to the ethnographer Alphonse Pinart, who donated the collection to the Trocadéro Museum, which later became the Musée de l'Homme.

Research into crystal skull origins

Many crystal skulls are claimed to be pre-Columbian, usually attributed to the Aztec or Maya civilizations. Mesoamerican art has numerous representations of skulls, but none of the skulls in museum collections come from documented excavations. Research carried out on several crystal skulls at the British Museum in 1967, 1996 and again in 2004 has shown that the indented lines marking the teeth (for these skulls had no separate jawbone, unlike the Mitchell-Hedges skull) were carved using jeweler's equipment (rotary tools) developed in the 19th century, making a supposed pre-Columbian origin problematic. The type of crystal was determined by examination of chlorite inclusions, and is only to be found in Madagascar and Brazil, and thus unobtainable or unknown within pre-Columbian Mesoamerica. The study concluded that the skulls were crafted in the 19th century in Germany, quite likely at workshops in the town of Idar-Oberstein renowned for crafting objects made from imported Brazilian quartz at this period in the late 19th century.

It has been established that both the British Museum and Paris's Musée de l'Homme crystal skulls were originally sold by the French antiquities dealer Eugène Boban, who was operating in Mexico City between 1860 and 1880. The British Museum crystal skull transited through New York's Tiffany's, whilst the Musée de l'Homme's crystal skull was donated by Alphonse Pinart, an ethnographer who had bought it from Boban.

An investigation carried out by the Smithsonian Institution in 1992 on a crystal skull provided by an anonymous source who claimed to have purchased it in Mexico City in 1960 and that it was of Aztec origin concluded that it, too, was made in recent years. According to the Smithsonian, Boban acquired the crystal skulls he sold from sources in Germany – findings that are in keeping with those of the British Museum.

A detailed study of the British Museum and Smithsonian crystal skulls was accepted for publication by the Journal of Archaeological Science in May 2008. ] Using electron microscopy and X-ray crystallography, a team of British and American researchers found that the British Museum skull was worked with a harsh abrasive substance such as corundum or diamond, and shaped using a rotary disc tool made from some suitable metal. The Smithsonian specimen had been worked with a different abrasive, namely the silicon-carbon compound carborundum which is a synthetic substance manufactured using modern industrial techniques. Since the synthesis of carborundum dates only to the 1890s and its wider availability to the 20th century, the researchers concluded "[t]he suggestion is that it was made in the 1950s or later".

Speculations on smaller skulls

None of the skulls in museums come from documented excavations. A parallel example is provided by obsidian mirrors, ritual objects widely depicted in Aztec art. Although a few surviving obsidian mirrors come from archaeological excavations, none of the Aztec-style obsidian mirrors are so documented. Yet most authorities on Aztec material culture consider the Aztec-style obsidian mirrors as authentic pre-Columbian objects. Archaeologist Michael E. Smith reports a non peer-reviewed find of a small crystal skull at an Aztec site in the Valley of Mexico. Crystal skulls have been described as "A fascinating example of artifacts that have made their way into museums with no scientific evidence to prove their rumored pre-Columbian origins. Until any crystal skulls are reported in peer-reviewed papers describing their excavation, Occam's Razor suggests that all of them are fabrications."

Individual skulls

Mitchell-Hedges skull

Perhaps the most famous and enigmatic skull was allegedly discovered in 1924 by Anna Le Guillon Mitchell-Hedges, adopted daughter of British adventurer and popularist author F.A. Mitchell-Hedges. It is the subject of a video documentary made in 1990, Crystal Skull of Labaantun. It has been noted upon examination by Smithsonian researchers to be "very nearly a replica of the British Museum skull--almost exactly the same shape, but with more detailed modeling of the eyes and the teeth."

Anna Hedges claimed that she found the skull buried under a collapsed altar inside a temple in Lubaantun, in British Honduras, now Belize. As far as can be ascertained, F.A. Mitchell-Hedges himself made no mention of the alleged discovery in any of his writings on Lubaantun. Also, others present at the time of the excavation have not been documented as noting either the skull's discovery or Anna's presence at the dig.

In a 1970 letter, Anna also stated that she was "told by the few remaining Maya, that the skull was used by the high priest to will death". The artifact is sometimes referred to as "The Skull of Doom" as Mitchell-Hedges claimed it could be used to will death (see below). An alternative explanation is a play on 'Skull of Dunn' (Dunn being an associate of Mitchell-Hedges) . Anna Mitchell-Hedges toured with the skull from 1967 exhibiting it on a pay-per-view basis, and she continued to give interviews about the artifact until her death in 2007.

The skull is made from a block of clear quartz about the size of a small human cranium, measuring some 5 inches (13 cm) high, 7 inches (18 cm) long and 5 inches wide. The lower jaw is detached. In the early 1970s it came under the temporary care of freelance art restorer Frank Dorland, who claimed upon inspecting it that it had been "carved" with total disregard to the natural crystal axes without the use of metal tools. Dorland reported being unable to find any tell-tale scratch marks, except for traces of mechanical grinding on the teeth, and he speculated that it was first chiseled into rough form, probably using diamonds, and the finer shaping, grinding and polishing was achieved through the use of sand over a period of 150 to 300 years. He said it could be up to 12,000 years old. Although various claims have been made over the years regarding the skull's physical properties, such as an allegedly constant temperature of 70°F (21°C), Dorland reported that there was no difference in properties between it and other natural quartz crystals.

While in Dorland's care the skull came to the attention of writer Richard Garvin, at the time working at an advertising agency where he supervised Hewlett-Packard's advertising account. Garvin made arrangements for the skull to be examined at HP's crystal labs at Santa Clara, where it was subjected to several tests. The labs determined only that it was not a composite (as Dorland had supposed), but that it was fashioned from a single crystal of quartz. The lab test also established that the lower jaw had been fashioned from the same left-handed growing crystal as the rest of the skull. No investigation was made by HP as to its method of manufacture or dating.

As well as the traces of mechanical grinding on the teeth noted by Dorland, Mayanist archaeologist Norman Hammond reported that the holes (presumed to be intended for support pegs) showed signs of being made by drilling with metal. Anna Mitchell-Hedges refused subsequent requests to submit the skull for further scientific testing.

F. A. Mitchell-Hedges mentioned the skull only briefly in the first edition of his autobiography, Danger My Ally (1954), without specifying where or by whom it was found. He merely claimed that "it is at least 3,600 years old and according to legend it was used by the High Priest of the Maya when he was performing esoteric rites. It is said that when he willed death with the help of the skull, death invariably followed". All subsequent editions of Danger My Ally omitted mention of the skull entirely.

Eugène Boban, main French dealer in pre-Columbian artifacts during the second half of the 19th century and probable source of many famous skulls

The earliest published reference to the skull is the July 1936 issue of the British anthropological journal Man, where it is described as being in the possession of Mr. Sydney Burney, a London art dealer who is said to have owned it since 1933. No mention was made of Mitchell-Hedges. There is documentary evidence that Mitchell-Hedges bought it from Burney in 1944. The skull was in the custody of Anna Mitchell-Hedges, the adopted daughter of Frederick. She steadfastly refused to let it be examined by experts (making very doubtful the claim that it was reported on by R. Stansmore Nutting in 1962). Somewhere between 1988–1990 Anna Mitchell-Hedges toured with the skull.

In her last eight years, Anna Mitchell-Hedges lived in Chesterton, Indiana, with Bill Homann, whom she married in 2002. She died on April 11, 2007. Since that time the Mitchell-Hedges Skull has been in the custody of Bill Homann. In April 2009, Five, a television channel, took the story and revealed that the Mitchell-Hedges Skull, recently tested under a special microscope in the Smithsonian Institution, had been manufactured with tools that Aztecs and Mayans simply did not have. Like the other skulls, this one is a fabrication dating from the second half of the 19th century. Bill Homann however continues to believe in its mystical properties.

British Museum skull

The crystal skull of the British Museum first appeared in 1881, in the shop of the Paris antiquarian, Eugène Boban. Its origin was not stated in his catalog of the time. He is said to have tried to sell it to Mexico's national museum as an Aztec artifact, but was unsuccessful. Boban later moved his business to New York City, where the skull was sold to George H. Sisson. It was exhibited at the meeting of the American Association for the Advancement of Science in New York City in 1887 by George F. Kunz. It was sold at auction, and bought by Tiffany and Co., who later sold it at cost to the British Museum in 1897. This skull is very similar to the Mitchell-Hedges skull, although it is less detailed and does not have a movable lower jaw.

The British Museum catalogs the skull's provenance as "probably European, 19th century AD" and describes it as "not an authentic pre-Columbian artefact". It has been established that this skull was made with modern tools, and that it is not authentic.

Paris skull

The largest of the three skulls sold by Eugène Boban to Alphonse Pinart (sometimes called the Paris Skull), about 10 cm (4 in) high, has a hole drilled vertically through its center. It is part of a collection held at the Musée du Quai Branly, and was subjected to scientific tests carried out in 2007–08 by France's national Centre de recherche et de restauration des musées de France (Centre for Research and Restoration of the Museums in France, or C2RMF). After a series of analyses carried out over three months, C2RMF engineers concluded that it was "certainly not pre-Columbian, it shows traces of polishing and abrasion by modern tools." Particle accelerator tests also revealed occluded traces of water that were dated to the 19th century, and the Quai Branly released a statement that the tests "seem to indicate that it was made late in the 19th century."

In 2009 the C2RMF researchers published results of further investigations to establish when the Paris skull had been carved. Scanning electron microscopy (SEM) analysis indicated the use of lapidary machine tools in its carving. The results of a new dating technique known as quartz hydration dating (QHD) demonstrated that the Paris skull had been carved later than a reference quartz specimen artefact, known to have been cut in 1740. The researchers conclude that the SEM and QHD results combined with the skull's known provenance indicate it was carved in the 18th or 19th century.

Smithsonian Skull

The Smithsonian skull was mailed to the Smithsonian anonymously in 1992, and was claimed to be an Aztec object by its donor and was purportedly from the collection of Porfirio Diaz. It is the largest of the skulls, weighing 31 pounds and is 15 inches high. It was carved using carborundum, a modern abrasive. It has been displayed as a fake at the National Museum of Natural History.

Paranormal claims and spiritual associations

Some believers in the paranormal claim that crystal skulls can produce a variety of miracles. Ann Mitchell-Hedges claimed that the skull she allegedly discovered could cause visions, cure cancer, that she once used its magical properties to kill a man, and that in another instance, she saw in it a premonition of the John F. Kennedy assassination.[48] In the 1931 play The Satin Slipper, by Paul Claudel, King Philip II of Spain uses "a death's head made from a single piece of rock crystal," lit by "a ray of the setting sun," to see the defeat of his Armada in its attack on England (day 4, scene 4, pp. 243-44).

Claims of the healing and supernatural powers of crystal skulls have no support in the scientific community, which has found no evidence of any unusual phenomena associated with the skulls nor any reason for further investigation, other than the confirmation of their provenance and method of manufacture.

Another novel and historically unfounded speculation ties in the legend of the crystal skulls with the completion of the current Maya calendar b'ak'tun-cycle on December 21, 2012, claiming the re-uniting of the thirteen mystical skulls will forestall a catastrophe allegedly predicted or implied by the ending of this calendar. An airing of this claim appeared (among an assortment of others made) in The Mystery of the Crystal Skulls, a 2008 program produced for the Sci Fi Channel in May and shown on Discovery Channel Canada in June. Interviewees included Richard Hoagland, who attempted to link the skulls and the Maya to life on Mars, and David Hatcher Childress, proponent of lost Atlantean civilizations and anti-gravity claims.

Crystal skulls are also referenced by author Drunvalo Melchizedek in his book Serpent of Light. He writes that he came across indigenous Mayan descendants in possession of crystal skulls at ceremonies at temples in the Yucatan, which he writes contained souls of ancient Mayans who had entered the skulls to await the time when their ancient knowledge would once again be required. The book is a log of the authors experiences, which are related in a manner requiring suspension of judgment.

The alleged associations and origins of crystal skull mythology in Native American spiritual lore, as advanced by neoshamanic writers such as Jamie Sams, are similarly discounted.[53] Instead, as Philip Jenkins notes, crystal skull mythology may be traced back to the "baroque legends" initially spread by F.A. Mitchell-Hedges, and then afterwards taken up:

By the 1970s, the crystal skulls [had] entered New Age mythology as potent relics of ancient Atlantis, and they even acquired a canonical number: there were exactly thirteen skulls.
None of this would have anything to do with North American Indian matters, if the skulls had not attracted the attention of some of the most active New Age writers.

 

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bagdadbattery
Ancient Sumerian battery

The Baghdad Battery, sometimes referred to as the Parthian Battery, is the common name for a number of artifacts created in Mesopotamia, possibly during the Parthian or Sassanid period (the early centuries AD). These jars were probably discovered in 1936 in the village of Khuyut Rabbou'a, near Baghdad, Iraq. These artifacts came to wider attention in 1938 when Wilhelm König, the German director of the National Museum of Iraq, found the objects in the museum's collections. In 1940, König published a paper speculating that they may have been galvanic cells, perhaps used for electroplating gold onto silver objects. This interpretation continues to be considered as at least a hypothetical possibility. If correct, the artifacts would predate Alessandro Volta's 1800 invention of the electrochemical cell by more than a millennium.

Description and dating

The artifacts consist of terracotta jars approximately 130 mm (5 in) tall (with a one and a half inch mouth) containing a copper cylinder made of a rolled-up copper sheet, which houses a single iron rod. At the top, the iron rod is isolated from the copper by bitumen plugs or stoppers, and both rod and cylinder fit snugly inside the opening of the jar, which bulges outward towards the middle. The copper cylinder is not watertight, so if the jar was filled with a liquid containing citric acid, this would surround the iron rod as well. The artifact had been exposed to the weather and had suffered corrosion, although mild given the presence of an electrochemical couple. This has led some scholars[who?] to believe lemon juice, grape juice, or vinegar was used[citation needed] as an acidic electrolyte solution to generate an electric current from the difference between the electrochemical potentials of the copper and iron electrodes.

König thought the objects might date to the Parthian period (between 250 BC and AD 224). However, according to Dr St John Simpson of the Near Eastern department of the British Museum, their original excavation and context were not well recorded (see stratigraphy), so evidence for this date range is very weak. Furthermore, the style of the pottery (see typology) is Sassanid (224-640).

Most of the components of the objects are not particularly amenable to advanced dating methods. The ceramic pots could be analysed by thermoluminescence dating, but this has apparently not yet been done; in any case, it would only date the firing of the pots, which is not necessarily the same as when the complete artifact was assembled. Another possibility would be ion diffusion analysis, which could indicate how long the objects were buried.

Speculations on function

Electrical

Copper and iron form an electrochemical couple, so that in the presence of any electrolyte, an electric potential (voltage) will be produced. König had observed a number of very fine silver objects from ancient Iraq which were plated with very thin layers of gold, and speculated that they were electroplated using batteries with these being the cells. After the Second World War, Willard Gray demonstrated current production by a reconstruction of the inferred battery design when filled with grape juice. W. Jansen experimented with benzoquinone (some beetles produce quinones) and vinegar in a cell and got satisfactory performance.

However, even among those who believe the artifacts were electrical devices, electroplating as a use is not well regarded today. Paul Craddock of the British Museum said "The examples we see from this region and era are conventional gold plating and mercury gilding. There’s never been any untouchable evidence to support the electroplating theory." The gilded objects which König thought might be electroplated are now believed to have been fire-gilded (with mercury). Reproduction experiments of electroplating by Dr Arne Eggebrecht consumed "many" reproduction cells to achieve a plated layer just one micrometre thick. Other scientists noted that Dr Eggebrecht used a more efficient, modern electrolyte; using only vinegar, the battery is very feeble.

An alternative, but still electrical explanation was offered by Paul Keyser. It was suggested that a priest or healer, using an iron spatula to compound a vinegar based potion in a copper vessel, may have felt an electrical tingle, and used the phenomenon either for electro-acupuncture, or to amaze supplicants by electrifying a metal statue. However, this is dubious, since a "tingle" requires a far higher voltage than can be generated by an iron/copper cell.

Non-electrical

Skeptical archaeologists see the electrical experiments as embodying a key problem with experimental archaeology; such experiments can only show that something was physically possible, they say nothing about whether it actually occurred. Further, there are many difficulties with the interpretation of these artifacts as galvanic cells:

  • the bitumen completely covers the copper cylinder, electrically insulating it, so no current can be drawn without modifying the design;
  • there are not any wires or conductors with them;
  • no widely accepted electrical equipment is associated with them. (Controversial stone reliefs depicting arc lights have been suggested, however the voltages obtained are orders of magnitude below what would be needed to produce arc lighting);
  • a bitumen seal, being thermoplastic, is excellent for forming a hermetic seal for long term storage. It would be extremely inconvenient however for a galvanic cell, which would require frequent topping up of the electrolyte (if they were intended for extended use).

The artifacts strongly resemble another type of object with a known purpose—namely, storage vessels for sacred scrolls from nearby Seleucia on the Tigris. Those vessels do not have the outermost clay jar, but are otherwise almost identical. Since it is claimed these vessels were exposed to the elements, it would not be at all surprising if any papyrus or parchment inside had completely rotted away, perhaps leaving a trace of slightly acidic organic residue.

In the media

The idea that the battery could have produced usable levels of electricity has been put to the test at least twice.

On the 1980 British Television series Arthur C. Clarke's Mysterious World, Egyptologist Dr Arne Eggebrecht used a recreation of the battery, filled with grape juice, to produce half a volt of electricity, demonstrating for the programme that the battery could electroplate a silver statuette in two hours, using a gold cyanide solution. Dr Eggebrecht speculated that museums could contain many items mislabelled as gold when they are merely electroplated. However, doubt has recently been cast on the validity of these experiments.

In 1999, the Disney Channel original TV series So Weird featured the battery in the opening portion of the show.

The Discovery Channel program MythBusters determined that it was indeed plausible for ancient people to have used the Baghdad Battery for electroplating or electrostimulation. On MythBusters' 29th episode (which aired on March 23, 2005), ten hand-made terracotta jars were fitted to act as batteries. Lemon juice was chosen as the electrolyte to activate the electrochemical reaction between the copper and iron. (Oddly enough, it was discovered that a single lemon produced more voltage than one of the batteries when using copper and zinc.) However, the batteries which they reproduced did not produce a substantial amount of energy and had to be connected in series in order to achieve a 4 V potential drop and test the theories.

The show's research staff proposed three possible uses: electroplating, medical pain relief (through acupuncture), and religious experience. It was discovered that when linked in series the cells indeed had sufficient power to electroplate a small token. For acupuncture, the batteries produced a "random" pulse that could be felt through the needles; however, it began to produce a painful burning sensation when the batteries were grounded to two needles at once. For the religious experience aspect of the batteries, a replica of the Ark of the Covenant was constructed, complete with two cherubim. Instead of linking the cherubim's golden wings to the low power batteries, an electric fence generator was connected. When touched, the wings produced a strong feeling of tightness in the chest. Although the batteries themselves had not been used, it was surmised that, due to the apparent lack of knowledge of electricity, any form of electrical sensation from them could equate to the divine presence in the eyes of ancient people. In the end, the Baghdad battery myth was found plausible on all three accounts.

The History Channel 2008 documentary Ancient Aliens uses the battery as evidence of alien involvement in ancient civilizations, suggesting that Ancient Egyptians could have lighted the pyramids with electric lights.

The comic strip Get Fuzzy referenced the Baghdad Battery on April 24, 2009.

The Baghdad Batteries were a punk band (2006-2009) in Chico, Ca. During their short existence they played numerous shows in and around Chico, recorded two albums and were awarded the title of "best" punk band by the Chico News and Review at the 2009 yearly Cammie awards.

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Mayan calendar stone

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Mayan Calendar

La Mojarra Inscription
and Long Count date

The Maya calendar is a system of distinct calendars and almanacs used by the Maya civilization of pre-Columbian Mesoamerica, and by some modern Maya communities in highland Guatemala and Oaxaca, Mexico.

The essentials of the Maya calendric system are based upon a system which had been in common use throughout the region, dating back to at least the 6th century BC. It shares many aspects with calendars employed by other earlier Mesoamerican civilizations, such as the Zapotec and Olmec, and contemporary or later ones such as the Mixtec and Aztec calendars. Although the Mesoamerican calendar did not originate with the Maya, their subsequent extensions and refinements of it were the most sophisticated. Along with those of the Aztecs, the Maya calendars are the best-documented and most completely understood.

By the Maya mythological tradition, as documented in Colonial Yucatec accounts and reconstructed from Late Classic and Postclassic inscriptions, the deity Itzamna is frequently credited with bringing the knowledge of the calendar system to the ancestral Maya, along with writing in general and other foundational aspects of Maya culture.

Overview

The most important of these calendars is the one with a period of 260 days. This 260-day calendar was prevalent across all Mesoamerican societies, and is of great antiquity (almost certainly the oldest of the calendars). It is still used in some regions of Oaxaca, and by the Maya communities of the Guatemalan highlands. The Maya version is commonly known to scholars as the Tzolkin, or Tzolk'in in the revised orthography of the Academia de las Lenguas Mayas de Guatemala. The Tzolk'in is combined with another 365-day calendar (known as the Haab, or Haab' ), to form a synchronized cycle lasting for 52 Haabs, called the Calendar Round. Smaller cycles of 13 days (the trecena) and 20 days (the veintena) were important components of the Tzolk'in and Haab' cycles, respectively.

A different form of calendar was used to track longer periods of time, and for the inscription of calendar dates (i.e., identifying when one event occurred in relation to others). This form, known as the Long Count, is based upon the number of elapsed days since a mythological starting-point. According to the correlation between the Long Count and Western calendars accepted by the great majority of Maya researchers (known as the GMT correlation), this starting-point is equivalent to August 11, 3114 BC in the proleptic Gregorian calendar or 6 September in the Julian calendar (−3113 astronomical). The Goodman-Martinez-Thompson correlation was chosen by Thompson in 1935 on the basis of earlier correlations by Joseph Goodman in 1905 (August 11), Juan Martínez Hernández in 1926 (August 12), and John Eric Sydney Thompson in 1927 (August 13). By its linear nature, the Long Count was capable of being extended to refer to any date far into the future (or past). This calendar involved the use of a positional notation system, in which each position signified an increasing multiple of the number of days. The Maya numeral system was essentially vigesimal (i.e., base-20), and each unit of a given position represented 20 times the unit of the position which preceded it. An important exception was made for the second-order place value, which instead represented 18 × 20, or 360 days, more closely approximating the solar year than would 20 × 20 = 400 days. It should be noted however that the cycles of the Long Count are independent of the solar year.

Many Maya Long Count inscriptions are supplemented by a Lunar Series, which provides information on the lunar phase and position of the Moon in a half-yearly cycle of lunations.

A 584-day Venus cycle was also maintained, which tracked the heliacal risings of Venus as the morning and evening stars. Many events in this cycle were seen as being astrologically inauspicious and baleful, and occasionally warfare was astrologically timed to coincide with stages in this cycle.

Other, less-prevalent or poorly understood cycles, combinations and calendar progressions were also tracked. An 819-day Count is attested in a few inscriptions. Repeating sets of 9-day and 13-day intervals associated with different groups of deities, animals, and other significant concepts are also known.

Maya concepts of time

With the development of the place-notational Long Count calendar (believed to have been inherited from other Mesoamerican cultures), the Maya had an elegant system with which events could be recorded in a linear relationship to one another, and also with respect to the calendar ("linear time") itself. In theory, this system could readily be extended to delineate any length of time desired, by simply adding to the number of higher-order place markers used (and thereby generating an ever-increasing sequence of day-multiples, each day in the sequence uniquely identified by its Long Count number). In practice, most Maya Long Count inscriptions confine themselves to noting only the first five coefficients in this system (a b'ak'tun-count), since this was more than adequate to express any historical or current date (20 b'ak'tuns cover 7,885 solar years). Even so, example inscriptions exist which noted or implied lengthier sequences, indicating that the Maya well understood a linear (past-present-future) conception of time.

However, and in common with other Mesoamerican societies, the repetition of the various calendric cycles, the natural cycles of observable phenomena, and the recurrence and renewal of death-rebirth imagery in their mythological traditions were important and pervasive influences upon Maya societies. This conceptual view, in which the "cyclical nature" of time is highlighted, was a pre-eminent one, and many rituals were concerned with the completion and re-occurrences of various cycles. As the particular calendaric configurations were once again repeated, so too were the "supernatural" influences with which they were associated. Thus it was held that particular calendar configurations had a specific "character" to them, which would influence events on days exhibiting that configuration. Divinations could then be made from the auguries associated with a certain configuration, since events taking place on some future date would be subject to the same influences as its corresponding previous cycle dates. Events and ceremonies would be timed to coincide with auspicious dates, and avoid inauspicious ones.

The completion of significant calendar cycles ("period endings"), such as a k'atun-cycle, were often marked by the erection and dedication of specific monuments (mostly stela inscriptions, but sometimes twin-pyramid complexes such as those in Tikal and Yaxha), commemorating the completion, accompanied by dedicatory ceremonies.

A cyclical interpretation is also noted in Maya creation accounts, in which the present world and the humans in it were preceded by other worlds (one to five others, depending on the tradition) which were fashioned in various forms by the gods, but subsequently destroyed. The present world also had a tenuous existence, requiring the supplication and offerings of periodic sacrifice to maintain the balance of continuing existence. Similar themes are found in the creation accounts of other Mesoamerican societies.

Tzolk'in

The tzolk'in (in modern Maya orthography; also commonly written tzolkin) is the name commonly employed by Mayanist researchers for the Maya Sacred Round or 260-day calendar. The word tzolk'in is a neologism coined in Yucatec Maya, to mean "count of days" (Coe 1992). The various names of this calendar as used by Precolumbian Maya peoples are still debated by scholars. The Aztec calendar equivalent was called Tonalpohualli, in the Nahuatl language.

The tzolk'in calendar combines twenty day names with the thirteen numbers of the trecena cycle to produce 260 unique days. It is used to determine the time of religious and ceremonial events and for divination. Each successive day is numbered from 1 up to 13 and then starting again at 1. Separately from this, every day is given a name in sequence from a list of 20 day names:

Some systems started the count with 1 Imix', followed by 2 Ik', 3 Ak'b'al, etc. up to 13 B'en. The trecena day numbers then start again at 1 while the named-day sequence continues onwards, so the next days in the sequence are 1 Ix, 2 Men, 3 K'ib', 4 Kab'an, 5 Etz'nab', 6 Kawoq, and 7 Ajau. With all twenty named days used, these now began to repeat the cycle while the number sequence continues, so the next day after 7 Ajaw is 8 Imix'. The repetition of these interlocking 13- and 20-day cycles therefore takes 260 days to complete (that is, for every possible combination of number/named day to occur once).

Origin of the Tzolk'in

The exact origin of the Tzolk'in is not known, but there are several theories. One theory is that the calendar came from mathematical operations based on the numbers thirteen and twenty, which were important numbers to the Maya. The numbers multiplied together equal 260. Another theory is that the 260-day period came from the length of human pregnancy. This is close to the average number of days between the first missed menstrual period and birth, unlike Naegele's rule which is 40 weeks (280 days) between the last menstrual period and birth. It is postulated that midwives originally developed the calendar to predict babies' expected birth dates.

A third theory comes from understanding of astronomy, geography and paleontology. The mesoamerican calendar probably originated with the Olmecs, and a settlement existed at Izapa, in southeast Chiapas Mexico, before 1200 BC. There, at a latitude of about 15° N, the Sun passes through zenith twice a year, and there are 260 days between zenithal passages, and gnomons (used generally for observing the path of the Sun and in particular zenithal passages), were found at this and other sites. The sacred almanac may well have been set in motion on August 13, 1359 BC, in Izapa. Vincent H. Malmström, a geographer who suggested this location and date, outlines his reasons:

Astronomically, it lay at the only latitude in North America where a 260-day interval (the length of the "strange" sacred almanac used throughout the region in pre-Columbian times) can be measured between vertical sun positions -- an interval which happens to begin on the 13th of August -- the day the peoples of the Mesoamerica believed that the present world was created; Historically, it was the only site at this latitude which was old enough to have been the cradle of the sacred almanac, which at that time (1973) was thought to date to the 4th or 5th centuries B.C.; and Geographically, it was the only site along the required parallel of latitude that lay in a tropical lowland ecological niche where such creatures as alligators, monkeys, and iguanas were native -- all of which were used as day-names in the sacred almanac.

Malmström also offers strong arguments against both of the former explanations.

A fourth theory is that the calendar is based on the crops. From planting to harvest is approximately 260 days.

Haab'

Haab' "months"
Name Meaning†
Pop mat
Wo black conjunction
Sip red conjunction
Sotz' bat
Sek  ?
Xul dog
Yaxk'in new sun
Mol water
Ch'en black storm
Yax green storm
Sak white storm
Keh red storm
Mak enclosed
K'ank'in yellow sun
Muwan owl
Pax planting time
K'ayab' turtle
Kumk'u granary
Wayeb' five unlucky days
Jones 1984
Main article: Haab'

The Haab' was the Maya solar calendar made up of eighteen months of twenty days each plus a period of five days ("nameless days") at the end of the year known as Wayeb' (or Uayeb in 16th C. orthography). Bricker (1982) estimates that the Haab' was first used around 550 BC with the starting point of the winter solstice.

The Haab' month names are known today by their corresponding names in colonial-era Yukatek Maya, as transcribed by 16th century sources (in particular, Diego de Landa and books such as the Chilam Balam of Chumayel). Phonemic analyses of Haab' glyph names in pre-Columbian Maya inscriptions have demonstrated that the names for these twenty-day periods varied considerably from region to region and from period to period, reflecting differences in the base language(s) and usage in the Classic and Postclassic eras predating their recording by Spanish sources.

Each day in the Haab' calendar was identified by a day number in the month followed by the name of the month. Day numbers began with a glyph translated as the "seating of" a named month, which is usually regarded as day 0 of that month, although a minority treat it as day 20 of the month preceding the named month. In the latter case, the seating of Pop is day 5 of Wayeb'. For the majority, the first day of the year was 0 Pop (the seating of Pop). This was followed by 1 Pop, 2 Pop as far as 19 Pop then 0 Wo, 1 Wo and so on.

As a calendar for keeping track of the seasons, the Haab' was a bit inaccurate, since it treated the year as having exactly 365 days, and ignored the extra quarter day (approximately) in the actual tropical year. This meant that the seasons moved with respect to the calendar year by a quarter day each year, so that the calendar months named after particular seasons no longer corresponded to these seasons after a few centuries. The Haab' is equivalent to the wandering 365-day year of the ancient Egyptians.

Wayeb'

The five nameless days at the end of the calendar, called Wayeb', were thought to be a dangerous time. Foster (2002) writes "During Wayeb, portals between the mortal realm and the Underworld dissolved. No boundaries prevented the ill-intending deities from causing disasters." To ward off these evil spirits, the Maya had customs and rituals they practiced during Wayeb'. For example, people avoided leaving their houses or washing or combing their hair.

Calendar Round

Neither the Tzolk'in nor the Haab' system numbered the years. The combination of a Tzolk'in date and a Haab' date was enough to identify a date to most people's satisfaction, as such a combination did not occur again for another 52 years, above general life expectancy.

Because the two calendars were based on 260 days and 365 days respectively, the whole cycle would repeat itself every 52 Haab' years exactly. This period was known as a Calendar Round. The end of the Calendar Round was a period of unrest and bad luck among the Maya, as they waited in expectation to see if the gods would grant them another cycle of 52 years.

Long Count

Since Calendar Round dates can only distinguish in 18,980 days, equivalent to around 52 solar years, the cycle repeats roughly once each lifetime, and thus, a more refined method of dating was needed if history was to be recorded accurately. To measure dates, therefore, over periods longer than 52 years, Mesoamericans devised the Long Count calendar.

The Maya name for a day was k'in. Twenty of these k'ins are known as a winal or uinal. Eighteen winals make one tun. Twenty tuns are known as a k'atun. Twenty k'atuns make a b'ak'tun.

The Long Count calendar identifies a date by counting the number of days from the Mayan creation date 4 Ahaw, 8 Kumk'u (August 11, 3114 BC in the proleptic Gregorian calendar or September 6 in the Julian calendar). But instead of using a base-10 (decimal) scheme like Western numbering, the Long Count days were tallied in a modified base-20 scheme. Thus 0.0.0.1.5 is equal to 25, and 0.0.0.2.0 is equal to 40. As the winal unit resets after only counting to 18, the Long Count consistently uses base-20 only if the tun is considered the primary unit of measurement, not the k'in; with the k'in and winal units being the number of days in the tun. The Long Count 0.0.1.0.0 represents 360 days, rather than the 400 in a purely base-20 (vigesimal) count.

Table of Long Count units
Days Long Count period Long Count period Approx solar years
1 = 1 K'in    
20 = 20 K'in = 1 Winal 0.055
360 = 18 Winal = 1 Tun 1
7,200 = 20 Tun = 1 K'atun 19.7
144,000 = 20 K'atun = 1 B'ak'tun 394.3

There are also four rarely used higher-order cycles: piktun, kalabtun, k'inchiltun, and alautun.

Since the Long Count dates are unambiguous, the Long Count was particularly well suited to use on monuments. The monumental inscriptions would not only include the 5 digits of the Long Count, but would also include the two tzolk'in characters followed by the two haab' characters.

Misinterpretation of the Mesoamerican Long Count calendar is the basis for a New Age belief that a cataclysm will take place on December 21, 2012. December 21, 2012 is simply the last day of the 13th b'ak'tun. But that is not the end of the Long Count because the 14th through 20th b'ak'tuns are still to come.

Sandra Noble, executive director of the Mesoamerican research organization FAMSI, notes that "for the ancient Maya, it was a huge celebration to make it to the end of a whole cycle". She considers the portrayal of December 2012 as a doomsday or cosmic-shift event to be "a complete fabrication and a chance for a lot of people to cash in." The 2009 science fiction apocalyptic disaster film 2012 is based on this belief.

Supplementary series

Many classic period inscriptions include a supplementary series. The supplementary series was deciphered by John E. Teeple (1874–1931). A supplementary series consists of the following:

Nine lords of the night

Each night was ruled by one of the nine lords of the underworld. This nine day cycle was usually written as two glyphs: a glyph that referred to the Nine Lords as a group, followed by a glyph for the lord that would rule the next night.

Lunar series

A lunar Series generally is written as five glyphs that provide information about the current lunation, the number of the lunation in a series of six, the current ruling lunar deity and the length of the current lunation.

Moon age

The maya counted the number of days in the current lunation. They started with zero on the first night that they saw the thin crescent moon.

Lunation number and lunar deity

The Maya counted the lunation in a cycle of six, numbered zero through 5. Each one was ruled by one of the six Lunar Deities. This was written as two glyphs: a glyph for the completed lunation in the lunar count with a coefficient of 0 through 5 and a glyph for one of the six lunar deities that ruled the current lunation. Teeple found that Quirigua Stela E (9.17.0.0.0) is lunar deity 2 and that most other inscriptions use this same moon number. It's an interesting date because it was a Ka'tun completion and a solar eclipse was visible in the Maya area two days later on the first unlucky day of Wayeb'.

Lunation length

The length of the lunar month is 29.53059 days so if you count the number of days in a lunation it will be either 29 or 30 days. The maya wrote whether the lunar month was 29 or 30 days as two glyphs: a glyph for lunation length followed by either a glyph made up of a moon glyph over a bundle with a suffix of 19 for a 29 day lunation or a moon glyph with a suffix of 10 for a 30 day lunation.

Venus cycle

Another important calendar for the Maya was the Venus cycle. The Maya were skilled astronomers, and could calculate the Venus cycle with extreme accuracy. There are six pages in the Dresden Codex (one of the Maya codices) devoted to the accurate calculation of the heliacal rising of Venus. The Maya were able to achieve such accuracy by careful observation over many years. There are various theories as to why Venus cycle was especially important for the Maya, including the belief that it was associated with war and used it to divine good times (called electional astrology) for coronations and war. Maya rulers planned for wars to begin when Venus rose.

Dogon and Sirius

Certain researchers investigating the Dogon have reported that they seem to possess advanced astronomical knowledge, the nature and source of which has subsequently become embroiled in controversy. From 1931 to 1956 the French anthropologist Marcel Griaule studied the Dogon. This included field missions ranging from several days to two months in 1931, 1935, 1937 and 1938 and then annually from 1946 until 1956. In late 1946 Griaule spent a consecutive thirty-three days in conversations with the Dogon wiseman Ogotemmêli, the source of much of Griaule and Dieterlen's future publications. They reported that the Dogon believe that the brightest star in the sky, Sirius (sigi tolo or 'star of the Sigui', has two companion stars, pō tolo (the Digitaria star), and ęmmę ya tolo, (the female Sorghum star), respectively the first and second companions of Sirius A. Sirius, in the Dogon system, formed one of the foci for the orbit of a tiny star, the companionate Digitaria star. When Digitaria is closest to Sirius, that star brightens: when it is farthest from Sirius, it gives off a twinkling effect that suggests to the observer several stars. The orbit cycle takes 60 years. They also claimed that the Dogon appeared to know of the rings of Saturn, and the moons of Jupiter.

Griaule and Dieterlen were puzzled by this Sudanese star system, and prefaced their analysis with the following remark:-

The problem of knowing how, with no instruments at their disposal, men could know the movements and certain characteristics of virtually invisible stars has not been settled, nor even posed.

In 1976 Robert K. G. Temple wrote a book arguing that the Dogon's system reveals precise knowledge of cosmological facts only known by the development of modern astronomy, since they appear to know, from Griaule and Dieterlen's account, that Sirius was part of a binary star system, whose second star, Sirius B, a white dwarf, was however completely invisible to the human eye,(just as Digitaria is the smallest grain known to the Dogon), and that it took 50 years to complete its orbit. The existence of Sirius B had only been inferred to exist through mathematical calculations undertaken by Friedrich Bessel in 1844. Temple then argued that the Dogon's information, if traced back to ancient Egyptian sources and myth, indicated an extraterrestrial transmission of knowledge of the stars. Neither Griaule nor Dieterlen had ever made such bold claims about a putative esoteric source for the Dogon's knowledge.

More recently, doubts have been raised about the validity of Griaule and Dieterlein's work. In a 1991 article in Current Anthropology anthropologist Walter van Beek concluded after his research among the Dogon that,

"Though they do speak about sigu tolo [which is what Griaule claimed the Dogon called Sirius] they disagree completely with each other as to which star is meant; for some it is an invisible star that should rise to announce the sigu [festival], for another it is Venus that, through a different position, appears as sigu tolo. All agree, however, that they learned about the star from Griaule"

Griaule's daughter Genevieve Calame-Griaule responded in a latter issue suggesting that van Beek may have been "sent by the political and administrative authorities to test the Dogon's Muslim orthodoxy" and argues that van Beek did not go "through the appropriate steps for acquiring knowledge."

Robert Todd Carroll states that a more likely source of the knowledge of the Sirius star system is from contemporary, terrestrial sources who provided information to interested members of the tribes, or confabulation of new myths by credulous and biased Afrocentric scholars. James Oberg also criticizes the idea that the Dogon tribes drew their knowledge from extraterrestrials, citing instead their extensive contacts with Western explorers, travelers and missionaries as well as members of the French Army, with whom some members of the Dogon served during World War I. James Clifford however notes that Griaule sought informants best qualified to speak of traditional lore, and deeply mistrusted converts to Christianity, Islam, or people with too much contact with whites. Oberg also points out the number of errors contained in the Dogon myths, including the number of moons possessed by Jupiter, that Saturn was the furthest planet from the sun, and the only planet with rings.

Planet X

Nibiru collision

The Nibiru collision is a supposed encounter between the Earth and a large planetary object (either a collision or a near-miss) which certain groups believe will take place in the early 21st century. Believers in this doomsday event usually refer to this object as Planet X or Nibiru.

The idea was first proposed in 1995 by Nancy Lieder, founder of the website ZetaTalk. Lieder describes herself as a contactee with the ability to receive messages from extra-terrestrials from the Zeta Reticuli star system through an implant in her brain. She states that she was chosen to warn mankind that the object would sweep through the inner Solar System in May 2003, later revised to around 2010, causing Earth to undergo a pole shift that would destroy most of humanity. The predicted collision has subsequently spread beyond Lieder's website and has been embraced by numerous internet doomsday groups, most of which link the event to the 2012 phenomenon. Although the name "Nibiru" is derived from the works of ancient astronaut writer Zecharia Sitchin and his interpretations of Babylonian and Sumerian mythology, Sitchin himself denies any connection between his work and claims of a coming apocalypse.

The idea that a planet-sized object could possibly collide with Earth in the near future is not supported by any scientific evidence and has been roundly rejected as pseudoscience by astronomers and planetary scientists.

Origins

The idea of the Nibiru collision originated with Nancy Lieder, a Wisconsin woman who claims that as a girl she was contacted by gray extraterrestrials called Zetas, who implanted a communications device in her brain. In 1995, she founded the website ZetaTalk to disseminate her ideas. Lieder first came to public attention on internet newsgroups during the build-up to Comet Hale-Bopp's 1997 perihelion. She stated, speaking as the Zetas, that "The Hale-Bopp comet does not exist. It is a fraud, perpetrated by those who would have the teeming masses quiescent until it is too late. Hale-Bopp is nothing more than a distant star, and will draw no closer." She claimed that the Hale-Bopp story was manufactured to distract people from the imminent arrival of a large planetary object, "Planet X", which would soon pass by Earth and destroy civilization. After Hale-Bopp's perihelion revealed it as one of the brightest and longest-observed comets of the last century, Lieder removed the first two sentences of her initial statement from her site, though they can still be found in Google's archives. Her claims eventually made the New York Times.[4]

Lieder described Planet X as roughly four times the size of the Earth, and said that its perigee would occur on May 27, 2003, resulting in the Earth's rotation ceasing for exactly 5.9 terrestrial days. This would be followed by the Earth's pole destabilising in a pole shift (a physical pole shift, with the Earth's pole physically moving, rather than a geomagnetic reversal) caused by magnetic attraction between the Earth's core and the magnetism of the passing planet. This in turn would disrupt the Earth's magnetic core and lead to subsequent displacement of the Earth's crust.

After the 2003 date passed without incident, Lieder said that it was merely a "White Lie ... to fool the establishment," and said that to disclose the true date would give those in power enough time to declare martial law and trap people in cities during the shift, leading to their deaths. She still insists that the Zetas tell her that Planet X is coming and that a more specific passage timeline will be forthcoming possibly by mid-2010.

Lieder's Planet X idea first spread beyond her website in 2001, when Mark Hazlewood, a former member of the ZetaTalk community, took her ideas and published them in a book: Blindsided: Planet X Passes in 2003. Lieder would later accuse him of being a confidence trickster.

Japanese cult the Pana Wave Laboratory, which famously blocked off roads and rivers with white cloths to protect itself from electromagnetic attacks, also warned that the world would end in May 2003 after the approach of a tenth planet.

Many internet sites continue to proclaim that "Planet X" or "Nibiru" is en route to Earth, often citing its arrival date as December, 2012. This date has gathered many apocalyptic associations, as it is the end of the current cycle (baktun) in the long count in the Mayan calendar. Several writers have published books connecting the Nibiru collision with 2012, including Marshall Masters and Jaysen Rand. Hazlewood has since changed his views on Planet X, and now says that there are intelligent alien forces acting to protect us as a species, and that we are set to ascend to a higher level of consciousness in 2012.

Names

Although Lieder originally referred to the object as "Planet X", it has become deeply associated with Nibiru, a planet from the works of ancient astronaut proponent Zecharia Sitchin, particularly his book The 12th Planet. According to Sitchin's interpretation of Babylonian religious texts, which contravenes every conclusion reached by credited scholars on the subject, a giant planet (Nibiru or Marduk) passes by Earth every 3,600 years and allows its sentient inhabitants to interact with humanity. These beings, which Sitchin identifies with the Annunaki of Sumerian myth, would become humanity's first gods. However, Sitchin denies any connection between his work and Lieder's claims, and it was Lieder who initially made the connection on her site ("Planet X does exist, and it is the 12th Planet, one and the same."). In 2007, partly in response to Lieder's proclamations, Sitchin published a book, The End of Days, which set the time for the last passing of Nibiru by Earth at roughly 600 BC, which would mean, given the object's supposed 3,600–year orbit, it would be unlikely to return in less than 1,000 years.

Leider drew the name Planet X from the hypothetical planet once searched for by astronomers to account for discrepancies in the orbits of Uranus and Neptune. In 1894, Bostonian astronomer Percival Lowell became convinced that the planets Uranus and Neptune had slight discrepancies in their orbits. He concluded that they must be being tugged by the gravity of another, more distant planet, which he called "Planet X". However, nearly a century of searching failed to turn up any evidence for such an object (Pluto was initially believed to be Planet X, but was later determined to be too small). In 1992, astronomer Myles Standish showed that the supposed discrepancies in the planets' orbits were illusory; the product of an overestimation of the mass of Neptune. Today astronomers accept that Planet X does not exist.

Still others refer to Lieder's object as Eris; however, Eris is a dwarf planet only slightly larger than Pluto with a well-determined orbit that never takes it closer than 5.5 billion km from the Earth. Astronomer Mike Brown, who discovered Eris, believes the confusion results from both the real Eris and the imaginary Nibiru having extremely elliptical orbits.

Scientific criticism

Astronomers point out that such an object so close to Earth would be easily visible to the naked eye (Jupiter and Saturn are both visible to the naked eye, and are dimmer than Nibiru would be at their distances), and would be creating noticeable effects in the orbits of the outer planets. Some counter this by claiming that the object has been hiding behind the Sun for several years, though such a claim is geometrically impossible. Images of Nibiru near the Sun taken by amateurs are usually of lens flares, false images of the Sun created by reflections within the lens.

Mike Brown notes that if this object's orbit were as described, it would only have lasted in the Solar System for a million years or so before Jupiter expelled it, and that there is no way another object's magnetic field could have such an effect on Earth. Lieder's assertions that the approach of Nibiru would cause the Earth's rotation to stop or its axis to shift violate the laws of physics. In his rebuttal of Immanuel Velikovsky's Worlds in Collision, which made the same claim that the Earth's rotation could be stopped and then restarted, Carl Sagan noted that, "the energy required to brake the Earth is not enough to melt it, although it would result in a noticeable increase in temperature: the oceans would [be] raised to the boiling point of water . . . [Also,] how does the Earth get started up again, rotating at approximately the same rate of spin? The Earth cannot do it by itself, because of the law of the conservation of angular momentum."

Many believers in the imminent approach of Planet X/Nibiru accuse NASA of deliberately covering up visual evidence of its existence. One such accusation involves the IRAS infrared space observatory, launched in 1983. The satellite briefly made headlines due to an "unknown object" that was at first described as "possibly as large as the giant planet Jupiter and possibly so close to Earth that it would be part of this Solar System". This newspaper article has been cited by proponents of the collision idea, beginning with Leider herself, as evidence for the existence of Nibiru. However, further analysis revealed that of several unidentified objects, nine were distant galaxies and the tenth was "intergalactic cirrus"; none were found to be Solar System bodies.

Another accusation frequently made by websites predicting the collision is that the US government built the South Pole Telescope to track Nibiru's trajectory, and that the object has been imaged optically. However, the SPT (which is not funded by NASA) is a radio telescope, and cannot take optical images. Its South Pole location was chosen due to the low-humidity environment, and there is no way an approaching object could be seen only from the South Pole. The "picture" of Nibiru posted on YouTube was revealed to in fact be a Hubble image of the expanding gas shell around the star V838 Mon.

Public reaction

The impact of the public fear of a Nibiru collision has been especially felt by professional astronomers. Mike Brown now says that Nibiru is the most common pseudoscientific topic he is asked about.

David Morrison, a CSI Fellow and Senior Scientist at NASA's Astrobiology Institute at Ames Research Center, says he receives 20–25 emails a week about the impending arrival of Nibiru; some frightened, others angry and naming him as part of the conspiracy to keep the truth of the impending apocalypse from the public. Half of these emails are from outside the US. "Planetary scientists are being driven to distraction by Nibiru," notes science writer Govert Schilling, "And it is not surprising; you devote so much time, energy and creativity to fascinating scientific research, and find yourself on the tracks of the most amazing and interesting things, and all the public at large is concerned about is some crackpot theory about clay tablets, god-astronauts and a planet that doesn't exist." Morrison states that he hopes that the non-arrival of Nibiru could serve as a teaching moment for the public, instructing them on 'rational thought and baloney detection', but doubts that will happen.

A viral campaign for Sony Pictures' 2009 film 2012, directed by Roland Emmerich, which depicts the end of the world in that year, features a supposed warning from the "Institute for Human Continuity" that lists the arrival of Planet X as one of its doomsday scenarios. Mike Brown attributes a spike in concerned emails and phone calls he received from the public to this site.

 

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Wall art of aliens

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Mayan calendar symbals
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The National Anthem

Jennifer Hudson Singing the National Anthem
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The Star Spangled Banner

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Israili scripts
Sacred Hebrew alphabet

Sacred Alphabet
Greek, arabic and Hebrew related
B-means house, inside and outside distance
2 and B forms A
Letters form flame
One object makes all letters of alphabet
Genesis- Wheel within wheels
Bearing fruits with seed in itself
tree to fruit to tree, + 2 spheres in sphere like heart
Donut looks like leaves unfolding
Tortus holds up the world
DNA double helix

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The arc of the covenant
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Wall art of aliens

Dogon Tribe

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Cave art depicting aliens
 

High Technology

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Ancient computer
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Th
ird eye stick on on Hindi girl
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Bacchaus holding his pinecone staff
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Bacchus and his pinecone staff
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Egyptian Peacock next to Pinecone at Vatican
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Egyptian writting under lion at the Vatican
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Egyptians lion at the Vatican
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Bacus and his pine cone

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Pinecone on the Pope's staff
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Annunaki in Sumerian art and Pineal gland
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Sumerian Annunaki with pinecone

Pineal Gland

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Krishna and the pinecone head
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Pineal gland in ancient Sumerian art

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Hindu Third eye stick ons
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Egyptian and the third eye
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Buddha and the pinecone head
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Pinecone at the Vatican

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Summerian king with his pinecone
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Big Daddy Mamoet crane. Worlds largest crane
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Great pyramid 139 meters and the tallest crane
200 meters

Monoliths

PTC Crane below is built by Mammoet (old Van Seumeren) and Huisman Itrec

How do you lift millions of pounds hundreds of feet into air? Very carefully, of course. But moving such massive payloads is no joking matter, where safety must come first. Therefore, you probably won't hear any complaints that the world's largest mobile crane rotates at only 1 /8 rpm.

The huge machine that tackles these difficult jobs is the PTC III, from Mammoet Group, Rotterdam, Netherlands. Like the mammoth (Mammoet is Dutch for mammoth), the cranes that Mammoet develops are known for their huge size, strength, and ability to thrive in hostile conditions. Recently, Mammoet commissioned the largest mobile crane in the world, the PTC III. It stands 200 m tall and can lift 1600 t at speeds to 80 m/min. It was developed to handle heavy conveyor systems used in the oil industry for maintenance work.

But size, weight, and strength may not be the most impressive aspect of this machine. PTC stands for Platform Twin-ring Containerized, where twin-ring refers to the crane's construction, and containerized meaning that it can be disassembled and transported by standard means. The crane is supported on a steel ring, with 54 wheels on four bogies to allow its tower — driven by gears through hydraulic motors — to rotate through 360°. When disassembled, the entire crane fits within 88 standard marine shipment containers that can be transported readily by ship, rail, or truck.

Ideal application for hydraulics
The idea of a hydraulic drive for the rotary drive came up very quickly, explained Jan van Seumeren Jr., technical director at Mammoet. "Naturally, the winches and drive wheels could have been driven electrically. But we would have needed very large motors and generators for on-site supply." Large electric motors could have prevented the PTC III front meeting space and/or weight requirements for shipping. Furthermore, heavy, bulky motors could have made assembly and disassembly more difficult.

The PTC III relies on a 20-ft tall, diesel-driven power supply that drives electric generators and 17 hydraulic pumps. The pumps drive 29 hydraulic motors that each drive a planetary gear drive. The hydraulic motors provide the mechanical power to drive the wheels through the gear drives, and each gear drive multiplies torque from the motor and allows it to rotate at a more efficient speed than if the motor drove the wheel directly.

Collectively, the wheels transmit the torque to rotate the tower up to 1°/sec. Van Seumeren says the gear drives are lubricated with hydraulic fluid, and the the entire hydraulic system holds roughly 8000 l of fluid. Pumps, motors, and gear drives were all provided by Bosch Rexroth BV, Boxtel, Netherlands.

Bosch Rexroth's involvement was not only as a supplier, but as a development partner that became involved in the project at an early stage, says van Seumeren. "We selected as many components as possible from the Rexroth standard range." He points out that service was also an important consideration. "Bosch Rexroth has a worldwide service organization and already has a service support center or its own subsidiary practically everywhere we go."

The PTC III is the fifth twin-ring crane Mammoet has designed and built in cooperation with Huisman-Itrec, Scheidam, Netherlands. It weighs 2100 t, so it can lift more than 3 /4 its own weight.

Design considerations
Perhaps the most challenging design requirement of the PTC III design was that all crane parts had to be transportable within 88 standard 20- or 40-ft shipping containers with a maximum weight per container of 30.4 t. Standard containers and weights mean permits and escort vehicles are not required for truck transport.

For marine transport, each container can be handled in terminals at standard rates, and rail transport is also routine. These all add up to substantial savings in transport charges, time, and effort. In fact, transport costs of the PTC III are about half that of cranes with a comparable lifting capacity.

Much of this savings can be attributed to hydraulics because it transmits high power from relatively small, lightweight components. In addition, most parts have a double function, one during operation of the crane and one during transportation of the crane. For example, ballast blocks at the end of mast sections can be assembled to form containers.

Another requirement was to minimize assembly time. Normally, cable must be unreeled in preparation for shipping a crane, but with the PTC III, unreeling is unnecessary. This not only saves time prior to transport, but when the crane is reassembled at a new job site as well.

Structure
The upper structure of the crane's slew ring consists of two longitudinal beams, connected by quick connection pins to one transverse beam at the front. Multiple components — such as the power pack, lower ballast beam, upper ballast beam, several winches, backmast erection frame, boom stops, and operator cabin — are mounted on a longitudinal beam. All components feature modular design with quick-connection pins to enable rapid assembly and disassembly. As many components as possible are made identical so they are interchangeable.

For example, front and rear bogies are identical. Each axle is hydraulically driven to enable smooth slewing motion and free rolling. Most winches — hoist winches, topping winch, back-mast erection winch, and an auxiliary hoist winch — share a similar design to simplify assembly and disassembly procedures. Each winch has a 52-mm wire and a maximum line pull of 60 t.

Track drives for propulsion
However, one more requirement still hasn't been mentioned — the PTC III is also self propelled. Cranes often need to be moved to different locations within a job site. You might expect a crane of this size to require at least partial disassembly before being moved. But the PTC III's rigid ring construction also serves as a stable transport chassis. When the crane needs to be moved, four track drives can be deployed via massive cylinders, to lift the base off the ground. Hydraulic motors then actuate each track drive to move and steer the PTC III to a new location at the job site. Considering its size, it is easy to maneuver and can be operated in relatively tight areas.

A multitude of materials

The PTC III is a marvel of engineering encompassing more than its hydraulic system. For example, its construction required: 1000 t of steel for the structure 2100 m of electrical cable 5300 m of 50.4-mm steel cable and 2650-m of 30-mm steel cable 1500 t of steel for counterweight 1280 m of hydraulic hose 6000 l of hydraulic oil 6000 l of paint.

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Largest crane can lift 2000 tons


Giant Cranes in Action. They can lift 2,500 tons together
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Egyptian Artefacts

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The Egyptian Gods
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Roman god

Statues representing aliens

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Shround of Turin